The Global Art Project

Changing Latitudes pre-selected for Bienalsur, to take place in Buenos Aires, Argentina.

Selene Wendt’s curatorial project proposal “Changing Latitudes” for BIENALSUR (to take place in Buenos Aires, Argentina in late 2017), featuring the work of Georges Adéagbo, Serge Attukwei Clottey, Javier Barilaro, Dulcineia Catadora, Marcel Pinas, Tracey Snelling, and Victoria Udondian has been pre-selected as one of the proposals that aroused the greatest interest of the 2543 artistic and curatorial projects submitted from 78 different countries.

Image: Tracey Snelling, One Thousand Shacks 

Selene Wendt interviewed by Jacqueline Bishop for The Huffington Post

In her ongoing series for The Huffington Post, Jacqueline Bishop selects individuals in the art world who she interviews on a monthly basis. 

Jacqueline Bishop’s interview with Selene Wendt appeared in The Huffington Post on May 13, 2016.

http://www.huffingtonpost.com/jacqueline-bishop/for-selene-wendt-being-a-_b_9953852.html

 

 

Film about The Art of Storytelling book project

Click here to see the film about The Art of Storytelling book project:

http://files.cargocollective.com/556055/A-arte-de-contar-histo-rias-SD.mov

New dates for The Art of Storytelling / Novas datas para A arte de contar histórias

After being closed for one year for renovations, Museu de Arte Contemporanea (MAC) Niteroi, Brazil will reopen with The Art of Storytelling as one of its inaugural exhibitions, to take place June 11 - June 24, 2016. 

The Art of Storytelling features work by Brazilian and international artists who are directly inspired by literature and/or poetry. Participating artists: Sergio Bernardes & Guilherme Vaz; Dulcineia Catadora; Marilá Dardot; Fabio Morais; Ernesto Neto; Rosana Ricalde; Valeska Soares; Elida Tessler; Gilvan Barreto; Magne Furuholmen; Lobato & Guimarães; William Kentridge; Cristina Lucas; Ulf Nilsen; Andre Parente; Rodrigo Petrella; Eder Santos and Nina Yuen. 

A special Dulcineia Catadora collaborative book project is integral to The Art of Storytelling exhibition concept. The Sao Paulo-based Dulcineia Catadora artist/writers collective typically uses art and literature as tools for inspiration and empowerment on a societal level, in this case involving the local community of Niteroi. Within the context of an international exhibition centered on the power of storytelling, this collaborative project allowed completely new stories and narratives to unfold. The goal was to engage, give voice to, and empower youth from the local community.  The tangible results are seen in the book/catalogue for the exhibition and the video that documents the workshops, where youth from the neighboring Morro do Palacio favela were introduced to writers, poets and artists. Each hand-painted cover, and the collaborative work featured in The Art of Storytelling, was created by youth who participated in workshops that took place over a period of several months.  The workshops were structured to directly engage youth from the local community in the creative process and outcome of The Art of  Storytelling book/exhibition catalogue. Lúcia Rosa of the Dulcineia Catadora collective conducted these workshops and also invited other artists and writers into the project, including Magne Furuholmen, Rosana Ricalde, Fabio Morais, Paulo Scott, Xico Sá and Sergio Sant´Anna, further emphasizing the dialogue between art and literature that is the source of inspiration for the exhibition. 

Theo Esheto in Conversation with Selene Wendt

Having worked with media art for over thirty years, Theo Eshetu is internationally recognized as a veteran in his field. His ongoing investigation of the manipulation of the language of television is inspired by anthropology, art history, scientific research, religious iconography, history, and personal experience, seamlessly brought together in multimedia works that reveal how electronic media shapes identity and perception. Eshetu’s work stems from the combined sensibilities of filmmaker, photographer, documentarian, and sound artist. His thoughts and reflections about art, photography, television, and video are revealed in a recent conversation with Selene Wendt. Topics include how and why he became interested in video as a medium, the development of video as a medium, and issues related to his transnational identity. A significant part of the interview relates to his seminal work Blood is Not Fresh Water, a documentary-style biographical portrait about his grandfather, a leading Ethiopian historian. The conversation takes us on a journey through Ethiopia’s past and provides an in-depth look at Eshetu’s most important works to date, including Till Death Us Do Part, Travelling Light, Body and Soul, Brave New World, Africanized, Trip to Mount Zuqualla, Roma, and The Return of the Axum Obelisque.